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28/02/2017 •
Issue #3 •
3649
Gayane Umerova: How do you assess the current state of art textiles, in particular, suzani? Binafsha Nodir: The period of...
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28/02/2017 •
Issue #3 •
3476
Vera Chursina, Designer The processes of globalization occurring in the world had a profound impact on the fashion of the XXI...
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28/02/2017 •
Issue #3 •
3598
Shahlo Abdullaeva, Art Critic Traditionally women’s and men’s robes of strict tailoring were made of the abre...
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28/02/2017 •
Issue #3 •
3497
Zafara Alieva, Art Critic In the light of the archaic traditions of the Karakalpaks (women’s home weaving, tailoring of the...
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28/02/2017 •
Issue #3 •
3561
Zuhra Rakhimova, Art Critic Archaeological research on the territory of Ferghana indicate that in ancient times and throughout...
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28/02/2017 •
Issue #3 •
3536
Shoira Nurmuhamedova, Architect Throughout the different periods of development of the Central Asian the palace architecture held...
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28/02/2017 •
Issue #3 •
3591
Feruza Ayupova, Art Critic The cave paintings in Sherabad District of Surkhandarya Province are the most valuable material for...
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28/02/2017 •
Issue #3 •
3477
Valentina Luneva, Art Critic The broad relationships between the Central Asia and Greece prove the discoveries of the headpieces...
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28/02/2017 •
Issue #3 •
3474
Binafsha Nodir, Art Critic Gaining the independence gave Uzbekistan an important impetus in the process of renaissance and...