Issue #3

• The Relevance of Traditional Values

  28/02/2017 • Issue #3 • 3730

  Gayane Umerova: How do you assess the current state of art textiles, in particular, suzani? Binafsha Nodir: The period of...

• Traditions in Trend

  28/02/2017 • Issue #3 • 3548

  Vera Chursina, Designer The processes of globalization occurring in the world had a profound impact on the fashion of the XXI...

• Abre Fabrics of Uzbekistan: New Life of Tradition

  28/02/2017 • Issue #3 • 3802

  Shahlo Abdullaeva, Art Critic Traditionally women’s and men’s robes of strict tailoring were made of the abre...

• Archetypes and Aesthetics of the Karakalpak Costume of the XIX Century

  28/02/2017 • Issue #3 • 3571

  Zafara Alieva, Art Critic In the light of the archaic traditions of the Karakalpaks (women’s home weaving, tailoring of the...

• Traditional Female Clothes (end of XIX – beginning of XX centuries)

  28/02/2017 • Issue #3 • 3674

  Zuhra Rakhimova, Art Critic Archaeological research on the territory of Ferghana indicate that in ancient times and throughout...

• The Palace Architecture of Uzbekistan of the Ancient Period

  28/02/2017 • Issue #3 • 3665

  Shoira Nurmuhamedova, Architect Throughout the different periods of development of the Central Asian the palace architecture held...

• On The Studies of The Central Asian Costume

  28/02/2017 • Issue #3 • 3668

  Feruza Ayupova, Art Critic The cave paintings in Sherabad District of Surkhandarya Province are the most valuable material for...

• Hellenistic Motives in the Jewelry of the Central Asia

  28/02/2017 • Issue #3 • 3565

  Valentina Luneva, Art Critic The broad relationships between the Central Asia and Greece prove the discoveries of the headpieces...

• New Aspects of Evolvement of Uzbek Textile

  28/02/2017 • Issue #3 • 3553

  Binafsha Nodir, Art Critic Gaining the independence gave Uzbekistan an important impetus in the process of renaissance and...